Quick flourishes of synth keys going up and down the pentatonic scale. Synth used was the korg ms 20 mini, analogue and monophonic. Subtle filtering and echo was placed on the recordings, as well as some reversing.
Electric wood sander sanding a sheet of ply wood. Hard, loud and abrasive sound, high volume low pitch. Recorded inside a workshop with a zoom h6 recorder. Audio was post-processed to boost the audio. Wood sander was a bosch 230v.
A near chaotic experiment. Im mixing cycling envelopes and lfos to generate triggers. The four sounds are totally unrelated. > bass drum. > snare (or something. . . )> bass. The pitches for the bass are generated withthree mixed lfos. A trigger is generated from the quantizerwhen the cv changed enough to generate a new note inthe selected scale. > ear piercing and annoying sound. Three minutes of more than enough.
This is a street vendor in seoul, korea who would cut a sweet snack on the sidewalk with scissors and a large knife. It was recorded on minidisc with a portable sony stereo condenser mic.
Testing/documening my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. ". Sound:1. Sine wave not going throught rectifier2. Sine wave though rectifier3. Triangle though rectifier4. Square through rectifier5. Saw through rectifier. An lfo is modulating the bias.
Recording of a busy working epson v600 scanning a few 35mm film negatives. Lot's of adjusting sounds and transportation of the scanhead as the operation continues.
An old hard drive starting up. The idle sound is from the hard drive itself and not the computer's fan noise. Some minor editing has been done to remove a slight bass rumble from the computer's fan. Recorded on sony pcm-a10.
Friday. Random. Why this madness? answer: i have patched s/h (sample and hold) random to doepfer a-160 clock divider and that affects the a-161. For the sake of it i patched one of the gates to the ladik r-110 rnd t/g (random trigger and gate). Result much more randomness than i can use. I can tell you that there is a lot of blinking diodes :-) sounds from doepfer a-110 and 2hp osc and sampler soundmachines ul1uloop.
These samples come from a gakken sx-150, a small analogue synthesizer kit that was released in japan 2008 as part of the gakken hobby magazine series. The synth became very popular also outside of japan, mainly because it's a low-cost analogue synth with a great sound that offers lots of possibilities for circuit benders.
Seems like a drill, saw, or pressurized air machine of some type. Recorded from a construction site. It's loud, powerful, and definitely can be used in a cinematic score.
Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4.
Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. Changed pitch on one osc and added some drums. Some editing in audacity compressor and limiter.
Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.
Same patch as in electronic minute no 226 but on my real modular. I'm using a wave folder. Thats why i call this version additive. I'm adding timbre to a sinus wave. I will do an subtractive version next.
